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2008年08月14日 星期四 16:55

原来《大话西游》掀起一阵热潮,有人说它是后现代。周星驰自己都说不知道什么是后现代。读贡布里希的《导言:图像学的目的和范围》一文中,有这样一段:

赫希研究的是文学而非艺术,所以他得出结论:只有当我们确定了一件作品原是打算被归入哪种文学范畴或类型,才能确定这件作品想要表达的意义。如果我们不首先确定一件特定的艺术作品到底是作为一篇严肃的悲剧来写的还是作为一首滑稽作品来写的,我们的解释很可能会大错特错。......我们知道,如果人们把悲剧当成了滑稽剧,他们就会在看这些悲剧时发生大笑。

那周星驰当年是把《大话西游》当喜剧来拍还是当成后现代作品来做,这是我们第一要解决的问题。

 
2008年03月13日 星期四 21:42

从天天那儿搞了两本Hip-Hop杂志,都是XXL出版的,一本SCRATCH,封面是Nas, The Game, Will.i.am。另一本是Hip-Hop Soul,封面是久违的Usher,据说快出新专辑了,直叫人望穿秋水啊。早些时候看过Chingy的一个MV,叫作Fly Like Me ft. Amerie, 当时就对这个叫Amerie的女孩印象深刻——长得太美了,我跟JER的一致观点,拉丁肤色,五官长得却又有亚洲人的秀气,身材丰满却没有Beyongce那么夸张过度,还是R&B歌手,应该算是完美了。在这期杂志中居然有她的专访,惊喜。 给出几张书影,以飨各位看官。

 
2008年03月12日 星期三 17:41

       在图书馆中,我向来喜欢在各个书架取一堆自己感兴趣的书放在桌子上。正事做累了,就随手捡起一本翻一翻,换一下脑筋。昨日在二楼靠窗户的一排冷清的书架上摘了几本中华书局的《学林漫录》。打开初集,翻到一篇文章《天问楼校勘记》,作者是舒芜。对此人的印象是前些年在《万象》杂志上读过他的一篇文章,当时我老头好像对这个人的态度不怎么看得上眼的。我也就觉得这个人应该也不怎么样。现在这篇发表于1980年的文章内容是什么我倒没有细看,关键之处在于有位前辈,想来当然是我的学长,而且一定是一位早就毕业的老学长用铅笔在“舒芜”的名字左边写道:“对不起胡风”。这一下我就想起来当时为什么老头对舒芜不大看好。后来打电话问了老头,大概就是舒芜确实对不起过胡风。当年好像名声也不好,大家对他都有情绪。所以也难怪我的这位老前辈在公共财产上批了这么一句,大概是发自肺腑,这种遗迹也总是可以勾起我对往昔岁月的想象,这是我最喜欢的感觉。

 
2007年07月02日 星期一 23:25
It is my first time I learn that there is an autobiography of Alberti. I learned this from the program “civilization”. And it may be difficult for me to get such a autobiography which can not be found in my country. What is paradox is that it is Albertis’s words ”man can do all things if he will ”, I can not find this book because I am not a universal man.   
 
2007年06月17日 星期日 22:00

I have seen Godfather the day before yesterday which is absolutely a classical film. There is an idea in my heart that one man will be invincible only if he is in a powerful group which I certainly mean the family. The first scene of the whole movie is Bonasera asking godfather to help his daughter who was almost raped by two American boys. Finally godfather promised him that he would do him a favor. At the wedding of her daughter he promised several demands and his only request is the respect. People who begged him have to kiss his hand which represents their respect and loyalty. There always are some conflicts needing the conciliation of Corleone Family.

And 500 hundred years ago in the hometown, although it is not Sicily Island, there was a powerful family playing the same, to some extent, function. That is Medici Family.  

As it is written in the article The Early Mdedici as Patrons of Art, we could see that ”The calendars of their correspondence show that they were always expected to ‘offer their influential support to advance the interests of a person’ and that they can rarely have refused to intervene on behalf of anybody who might be won over to their camp. Nobody felt too humble to ask for such intervention. When Benozzo Gozzoli’s apprentice got into trouble for purloining three old bedclothes from a monastery the painter turned to Lorenzo, who made it all come right. In return these people might be expected to vote for Medici interests in the innumerable committees of the guild and city government.”

It is so apparent that both Corleone and Medici family provided help for people who need them and then these people would pay back someday or not. If Corleone family existed in Renaissance period who can promise that there would not be an another influential patronage.  

 
2007年04月10日 星期二 22:39
    早先就已查得敬文馆内有《建筑十书》,只是被他人借出尚未归还。故从样本库中借出一样本,方得见此书真容。是中国建筑工业出版社八十年代的一版,硬壳精装,是从日文本译的中文,并对照英文本作的补充。书内有插图若干。阿尔贝蒂之《论建筑》乃得益于维特鲁维,想研习《建筑十书》定有所裨益。
 
     
 
 
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solidvan

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