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2009-07-05 23:33

      充分认识这个问题之后呢,其实很多事情都不用纠缠为什么了。
      是的,取其狭义解释即可。

      女人爱自己多一些吧。
      那些诱惑我们的没有灵魂的华丽皮囊,就像西游记里终将被点化出原形的妖孽,一阵青烟之后就剩一个破皮囊而已。

      女人因为爱自己而变得更美丽。
      好女人在好男人越来越少的世界里才更有身价。哪怕只是有价无市。
      大不了女人和女人过好了,我们相对温良些。关于爱,我们也更纯粹些。
      女人不笨,聪明的那个都是微笑着看你躲猫猫,不拆穿而已。除非我们想提前结束游戏。

      爱情是女人的科幻剧本。
      我不是受伤,相反我痊愈了。自信一味药就够。

 
2009-07-04 16:05

      上次泡夜店竟然是去年8月23日的事!昨晚大Ben驾临北京,与其说是尽地主之宜,不如说我自己要出去放放风透透气,虽然盛夏北京10点的夜依然超级闷热。我们在南锣鼓巷酸奶店碰面的那一刻,我就在想男女真是不公平,七年没见,182的海拔,两个孩子的老爸,竟然是更年轻更帅的样子耶!女生也可以嫉妒美男的吧,呵呵,我开始还担心会认不出彼此。

      其实,准确说我和你并不是很熟哦~~因为我们竟然不知道或者不记得对方的名字^^
      今晚开始需要重新认识天蝎男。

      其实我只是和“过去”重逢了。和七年前广州的自己重逢。如果我对广州朋友说我内向,他们会从椅子上滑到地板;如果我对北京朋友说我外向,他们大概也会正襟危坐"真的吗"?我貌似有计划有预谋的改变着自己。而我自己知道,除了年龄和体重,我还认得从前那个我。

       我在后海边说的话可以抵我半年讲的话了(工作除外),Ben不信。至少嗓子已经痛哑到好像刚K了一整晚的歌。Mix里我再也不会一整晚热舞四小时,除了那些"勇于无聊"的人们和猎与被猎的夜场动物,真正享受音乐和肢体快感的又是哪些呢?其实一个人也可以high舞,不一定要来这里。
      
       一支酒工夫我们就离开了。寄存处取包时签字本上的时间刚好是1:48。
       无数个曲终人散的凌晨,出租车驶过长安街,心里的歌就是那首熟悉的《1:48》。脱拉库1999年的专辑,整整10年,从重庆到广州,从广州到北京。还是我一个人。

      ......Teago已经完全让我失望。经济上的损失和精神上的失去,我永远更在乎后者吧。

      知道吗?“我很独立,我也能照顾好自己,但是,我也需要爱”这句话是斯佳丽·约翰逊去年《午》片接受访问时说的。我一无所有,唯把梦想紧紧攥手里,不放手。

      <重逢而后别离,重新开始我的减肥之旅吧。>

 
2009-06-30 23:55

      如果不是因为CCTV-6,我一定没有机会邂逅《加州之王》这样的好片!
     “这种闯入让你感觉更加鲜活!”父女俩夜闯超市,老爸脱口而出。这个会大提琴,组过爵士乐队,拥有墨西哥医学学位,无事自通勘探测量的神人!曾经做手模的漂亮妻子过早离开了人世,女儿早熟,老爸从精神病院出来,因为笃信一本传奇的西班牙神父旅行日志开始了寻宝之路——为了挖掘机当掉了女儿的破车;为了赎回车当掉了堪比妻子重要的大提琴。好吧,这是喜剧,老爸一定会从超市水泥地面六七英尺下的地下河上来。当然,他上来了,在警察来之前亲吻了女儿。重新跳回了藏有宝藏的洞穴......就像《碧海蓝天》的Jack最后跳入了深海。。。有什么关系呢,父亲曾说加州遍地宝藏,那么多人氺因渡而来,说不定他也会重新出现在某个神秘海滩。

       这个老爸太可爱太聪明太鬼马了,我爱死他了,就像卖掉大提琴的前晚唱的——我要去流浪,追着梦想,自由自在,飘飘荡荡。父女俩穷困潦倒,但是生活击不垮梦想,不是为了发财,只是为了找寻。女儿加入疯狂的探险之路是因为——父母就是这样一种人,你明明知道他们说的不是真的,但还是会相信而永远和他们站在一边。而聪明可爱的老爸,只是个勇于追求梦想的孩子。只是我最后没有明白,按照父亲最后留下的条码纸买到的纸箱里装的是什么呢?(装满洗碗机的金币?!天,他怎么做到的?!)
      其实比金子更闪光的是梦想!永远不用丢失你的梦想,相信前面就是金光大道。

california stars
[_Billy Bragg ]

I'd like to rest my heavy head tonight
On a bed of california stars
I'd like to lay my weary bones tonight
On a bed of california stars
I'd love to feel your hand touching mine
And tell me why i must keep working on
Yes, i'd give my life to lay my head tonight
On a bed of california stars
I'd like to dream my troubles all away
Jump up from my starbed and make another day
Underneath my california stars
They hang like grapes on vines that shine
And warm the lovers glass lke friendly wine
So, i'd give this world
Just to dream a dream with you
On our bed of california stars

[Words: woody guthrie - music: jay bennett/jeff tweedy 1997]

导演/编剧:

主演:

 
2009-06-25 22:30
 
2009-06-22 20:52

来自: 译言 CNN
译者:
Christi.安

(CNN) -- He was one of the coolest guys I have ever known, yet until this year I had no idea just how impressive he really was.

By the time you finish today's column, you'll understand why.

And why I'm thinking about him this weekend.

His name was Tom Pastorius. I was a kid sportswriter just getting started, more than 40 years ago, at a now-defunct newspaper in central Ohio; Tom was one of the stars of the staff.

He looked like Dean Martin -- acted a little like him, too. Totally unflappable, whimsy in his voice, a heartbreaker's hooded eyes: Tom was a man who made it seem that nothing could ever get to him. He had turned 50 during the summer I sat at the next desk.

An overly officious editor would bark at him? Tom shrugged it off. A young college athlete would treat him a little rudely? Didn't faze Tom.

The other star of the sports staff, and Tom's best friend in the newsroom, was Kaye Kessler. If Tom was Dean Martin, then Kaye was Frank Sinatra. Kess and Pasty -- that's what they were called, that's how they were known. And that's all I really knew about them. They didn't talk about their past history, and, as I recall, none of us really asked.

This year, I sought out Kaye Kessler again -- he's living in Colorado, long retired from daily newspaper work -- and I asked him about Pastorius, and he said that Tom had died more than 10 years ago.

I told him what a cool character I had always thought Tom was.

And Kessler said: "You know he parachuted into France for the D-Day invasion, don't you?"

I'd had no idea. Tom had never said a thing.

"He and his brother both," Kessler said.

The guy in the next seat on the sports desk, a paratrooper on the day of the Normandy invasion. And he had not mentioned a word about it.

There have been any number of emotional and stirring stories coming out of France this weekend as the world commemorates the 65th anniversary of D-Day. Yet there is one aspect of the anniversary that isn't often mentioned and that is worth thinking about:

We are accustomed to envisioning the Americans of D-Day either as the impossibly young men in vintage World War II photographs and newsreels, or as the elderly men, fewer and fewer in number now, who accept our humble thanks on weekends like this one, or, of course, as the unseen warriors who rest for eternity beneath those shattering rows of white crosses.

But there was a time in the life of the United States -- and that time is over now -- when it was accepted as a fact of daily life that the man across the aisle on the bus to work or the man sitting with his wife at the movie theater or the man riding the elevator on his way upstairs at the office just might be a hero of D-Day.

They walked among us for a very long time; the war ended, the world was saved, and they came home and blended into a nation at peace, and often there was no way for us to ever know. Not unless they told us, and many of them chose not to.

Kaye Kessler told me that Tom Pastorius' wife had died, and so had his son. But I made some calls and finally was able to find a very nice woman named Kathleen Pastorius, who is 88 and who is living in a senior community on the west coast of Florida. Kessler had said that both Tom and his brother had parachuted into France on D-Day. Kathleen Pastorius is the widow of that brother, whose name was Ed.

"Both boys were members of the 101st Airborne Division," she said. "They were very close all their lives. Ed was the older. They grew up in Canton, Ohio, and on the day of the Normandy invasion, they were both dropped in."

The men of the 101st Airborne parachuted behind enemy lines, behind Utah Beach; there was darkness and heavy fog and intense German anti-aircraft fire, and the casualties in the 101st were terrible. Each paratrooper wore more than 70 pounds of equipment. As they hit the ground -- the ones who hit the ground alive -- they had every right to wonder if they would ever see the United States again.

For the ones who did make it home -- as, eventually, the Pastorius brothers did -- the decision was: How do I want to live the rest of my life?

For many the answer was: Just live it, and don't endlessly talk about what came before.

It was little wonder that Tom seemed all but immune to being bothered by small vexations. A tedious assignment at work? A football game to cover in a blizzard? A late-night shift followed by an early-morning wakeup call?

Please. He had seen worse. He could always know: No one could throw anything at him as tough as what he, and the soldiers of D-Day with whom he had served, had seen when they were young.

诺曼底登陆101空降部队每个人都背着超过70的装备,降落在犹他滩后面的敌人后方漆黑,浓雾,加上德军密集的防空火力,他们伤亡惨重。当他们一落地,如果侥幸未死,就有充足的理由怀疑自己还能不能再看到美国的太阳。

而那些最终生还故乡的人,像帕斯托利斯兄弟,都面对着一个决定:我的余生该如何度过?

很多人的选择是:只管活着,不论过往。

这就不难理解,为什么汤姆总是不为生活中的烦心琐事所动。冗长乏味的工作安排?暴风雪中的足球比赛报道?晚夜班后又在凌晨被电话吵醒?这些算得了什么。

他见识过地狱。他心里清楚,任何挑战,都不及他和他那些诺曼底登陆时的战友,在年轻时所经历的那么严酷。

They were constantly among us, once upon a time. They moved among us, and they elected to keep their pasts invisible.

They were, in every sense of the phrase, men among men.

Forever.

 
2009-06-22 09:39

His World Could Never Change... Until She Became His World.
A time without pity. A society without mercy. A love without equal.
It is a difficult question to answer... Whether to follow your dreams... Or to let life lead you where it will.
It's a difficult question for any man to answer... Whether to follow his dreams no matter what... Or to give in slowly and let life lead you where it will.

昨晚深夜CCTV-6 准确的说我只看了后半部分
早上醒来 还是8岁的小裘德僵硬的身体悬在半空
和雪地里裘德最后的呼喊
——在这个世界上 没有人比我们更象夫妻!

可是在19世纪的维多利亚时代的英国
在那个充满禁忌和枷锁和基督教社会
奔向理想与爱情的尽头 唯有毁灭

Sui最后也妥协了吗 回到世俗的婚姻
不爱 却不会有伤害
不爱 不是最大的伤害吗

同样是Kate Wenslet塑造的自由女权形象
奔向巴黎美好生活的《革命之路》最后也是走向幻灭
但这个女人 由内而外迸发的光辉给人以力量
写在她脸上的坚定与不屈 是多么性感动人
尤记得Sui郊外绿色原野单车上的红色长裙 在充满阴霾的天空下 生动鲜活 美到极致

 
2009-06-19 02:21


......还是什么都不说的好
对生命肃立 对钱斯一样殉国的战士肃立
生者悲伤 逝者给人以力量

 
2009-06-16 23:59

       下班路上。遭遇Dior男。

       说点什么好呢?天气太俗,时政太闷,汽车我不懂,文艺你不感冒,公司八卦无聊,不及互爆童年或隐私,那我们就唱歌吧。你很诧异,不会吧?对,就唱歌,而且必须唱革命歌曲,不能现代流行,每人轮唱对歌一样,接不上的输,输了怎么办?....还没想好。

      于是我开始了,我唱了好多,最后还唱了些儿歌和怀旧歌曲滥竽充数......《打靶归来》《团结就是力量》《长江之歌》《黄河大合唱》《队歌》《团歌》《一休歌》《卖报歌》《蓝精灵之歌》《我们的祖国是花园》《牧童之歌》......你显然甘拜下风,谁叫你是80后。呵呵。
      把我会唱的基本唱完了,我到家了。

      最近脑子的旋转的歌是信和他的小丸子合唱的《爱情36计》Rock版!大概第37计才能计出功成吧。或者永远不出招才是高招。我喜欢过去的乐团里的摇滚的信。瘦版,长腿,完美高音。竟然和Dior男同天生日!

      秘密。
      
      

 
2009-06-16 20:31

      ......然后呢,会变成奶酪吗?那也不错的。

      生活中卑微平凡的是大多数吧。在下雨天看完《一把雨伞给这天用》,天空的确滚过几个炸雷,无论我多么小心翼翼,雨水还是浸湿了白色的凉鞋,和黑色的七分裤。封面和题目都甚是讨巧。刚看时为格诺(我给他起的名字)对鞋底的糖纸和树叶发出的声音的欣喜而欣喜,看到一半时我和Office的G说,其实不少男人都是这般懦弱和卑微,尽管他远在德国,有份试鞋的奇妙工作和写专栏赚钱的本事,但还是会一次次从分手女友的户头提钱补贴生活(我欣赏他离去的女友这种慷慨无声的补偿);到最后看完的时候,打心底同情他,同情生活中卑微平凡的大多数。同情没有心里优势,故非居高临下,就像我可以同情自己一样。

      “生命不过是个长长的雨天,而身体恰好是给这天用的雨伞”。鞋子试穿后评估以指导鞋品的修改和上市——国内有这样的工作吗?无论鞋子多么光鲜亮丽,舒不舒服脚最清楚。所以不如说生活是双鞋子,不同的面料、款式、做工...漂亮与否见仁见智,舒服与否只有自己知道。当然,我们有穿不起的鞋过不上的奢华生活,也有为场合不允许必须舍弃的贴心舒适。而通常,女人永远在买鞋,永远觉得鞋不够穿,男人却极少变化。——说回来格诺,他为高级鞋试穿,写完评估报告后把鞋在跳蚤市场卖出或卖不出。女友从固定变得不固定,女人身体情同酸面包,叫人兴奋而又颓丧,经营莫须有的记忆与体验机构接纳陌生的女人共渡每小时200马克的体验时光——他真是无聊之极,以致他给自己制定了沉默时间表——“周一沉默,周二沉默,周三周四上午沉默,下午宽松沉默但沟通等要11点以后,周六说三倒四,周日绝对沉默...”大意如此。格诺的文笔是双聪明而幽默,安静而慵懒的眼睛,光影流转,如同缓慢的长镜头,捕捉雨天的点滴,或者闪闪发光,也或者凌乱肮脏。脑袋里穿梭的着女人的身体和对情敌的沮丧。除此,他似乎也无事可做,找不到对生命的认同。失意和忧郁,只是雨天里亮灰色的雨水,那么自然的存在。

       雨天久了,就向往彩虹与晴空吧。就像失意之后,总有些类似理想的东西涌动。当然格诺很享受雨天。
       似乎更多人通过这本书寻求到了共鸣。那些相似的无聊的情绪。为什么一定要象儿时的作文结尾一样把每一天过得“快乐而有意义”呢?
       我似乎理解得更为狭隘一些,其实大多数男人,都是这么卑微而平凡的吧。不是吗?又如何?只要在这个欲望社会,你勇于无聊。
       
      
       “闪电会让牛奶变酸”是格诺母亲的格言。我的理解是趁牛奶变酸之前喝掉它,趁生命衰老之前绽放光彩。如果生命真是一场不肯妥协的雨,那也试着准备一双好鞋吧。
       或者把这样的情绪转换成文字,呀,我也可以写书。然后卖到格纳所在的德国小镇去。同样不超过180页的32小开本,不用拿自己的无聊浪费别人太多有意义的时光。

       ——写在某人失信于我的下雨天。

[作者简介]
         威廉·格纳齐诺:2004年德国毕希纳奖得主。1943年出生于德国南部的曼海姆市,做过记者、报刊编辑,1977年起专事写作。著有小说《阿布沙弗》、《污斑·夹克·房间·痛苦》、《一把雨伞给这天用》、《女人·屋子·小说》、《拥有太多爱情的男人》等。 威廉·格纳齐诺的早期作品以锐利激进、批判色彩浓烈的风格受到文坛瞩目,后来转向描写小人物的生活和心理状态,风格幽默冷峻。除“诺贝尔奖风向标”之称的毕希纳奖之外,他还曾获不来梅文学奖、柏林艺术奖等重要奖项。

 
2009-06-12 02:05

      
      晚上飞奔去聚会,分享从平武灾区回来的爱心大使们的回顾和交流,与会的有华辰宝马公司职员/车友和一些媒体。我收到了初一朋友的回信,和他的照片,14岁的男生有怎样丰富的内心呢?我不太有把握。牵引我来到陌生人群中坐下的,不是和那些漂亮的已婚妈妈或城市新贵们一样爱心满溢,相反,我才和灾区的小朋友是同类,有那么敏感而怯懦的内心,我听见心底的声音,任何约会都不及的,不由分说,我似乎有所渴求,又有所保留。而且晚上我并没有主动开口讲话。
      至少,大家都怀以最大的善意吧。

 
2009-06-07 14:59


至少还有巨鲸top100和myspace支持safari在线音乐播放,足矣。
这样的小屋据为己有多好。
 
2009-06-05 22:04
颜色灵感:火车
作者:Thomas Merton (他的 flickr 收藏 ,因为崇拜Thomas Mertonh所以他给自己的取了这样的flickr名字, 虽然这名字与火车或者是颜色没什么关系. 感谢你分享自己的图片)
译者: 橘子酱是我 @ yeeyan.com


Halsted-Broadway E-1262

 
2009-06-03 22:44

Fr:Madesigh

 
2009-06-03 22:37


                                                                                                                                               Fr:Jeryioio
 
2009-06-03 20:43

歌都几好,锋锐极少,不过不喜欢这次的熟男造型...
顽童也会老会累的吧

从前从不懂 全程能相拥
仍然藏着暗涌 是我旧日故步自封
明白从前不懂 全程能相拥
仍然和你扑空 留下了我一个在痛

 
     
 
 
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牛仔是这样炼成的
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
 
晃晃悠悠
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
 
私生活
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
 
我的搜藏
 
     
 
最近访客
 
 

qqaittla

仅属于晓的牙

宝宝爆米花

澔瀹

寻月公子

tthuanbao

边缘漫步者

empty_land
     
 
其它
 
已有人次访问本空间
 
订阅RSS  什么是RSS?

您也想拥有这样的空间?请点此申请。
     


©2009 Baidu