慢州城|鱼玩学院

在lens杂志上看到一张叫绽放的画，去网上搜索了一下。。。

Most of Filonov's works were saved by his sister Yevdokiya Nikolayevna Glebova. She stored the paintings in the Russian Museum's archives and eventually donated them as a gift. Exhibitions of Filonov's work were forbidden. In 1967, an exhibition of Filonov's works in Novosibirsk was permitted. In 1988, his work was allowed in the Russian Museum. In 1989 and 1990, the first international exhibition of Filonov's work was held in Paris.

During the period of half-legal status of Filonov's works it was seemingly easy to steal them; however, there was a legend that Filonov's ghost protected his art and anybody trying to steal his paintings or to smuggle them abroad would soon die, become paralyzed, or have a similar misfortune.

来自：http://en.wikipedia.org/wiki/Pavel_Filonov

————————————————

In 1913, Filonov founded an artistic group, which consisted only of artists devoted to following the techniques and style of analyti

约瑟夫·寇德卡1938年出生于捷克摩拉维亚省。1961年毕业于布拉格理工科大学航空工程系，1965年起任布拉格剧院摄影师，1970年因避难而离开捷克之后，就变成一个没有国籍的人，他虽然定居于英国，但大部分时间却如同他所拍的吉普赛人一样，在欧洲各国流浪飘泊。从事舞台摄影的经历，使约瑟夫·寇德卡的作品充满强烈的戏剧色彩。每张照片都在讲述一个故事，描绘一段情节。其中最脍炙人口的，当推他对吉卜赛游牧民族生活富于感染力的描绘。1971年，寇德卡加入“玛格南”图片社，一向不接受任何商业委托或杂志社邀请而拍照的寇德卡，在“玛格南”里有充分的自由，他高兴拍什么就拍什么。他说，他只为自己而拍照，并且认为“摄影没有什么不可打破的法则。”或者说：“摄影只有一个法则，你觉得自己应该怎么拍，那就怎么拍。”约瑟夫·寇德卡不像有些摄影家一旦出了名就忙着授艺或者下海经商，而是长年盘桓在影像世界里，让拍照成为生活中的一切。这种潜心侍奉艺术的精神，一直保持和发扬着。

寇德卡自从一九七0年因避难而离开捷克之后，就变成一个没 有国籍的人，他虽然定居于英国，但大部分时间却如同他所拍的吉普赛人一样，在欧洲各国流浪飘泊。 特异的拍摄手法流浪的作业方式 寇德卡的初期